Gürelli, Kutlu2016-07-012016-07-012004http://hdl.handle.net/11693/29455Cataloged from PDF version of article.In this research study, documentation’s role in contemporary art described and exemplified according to its relation to the institutional practices of classifying, defining and displaying artworks. Issues and problems, which appear at the artworks relationship with the art institutions have been questioned and interpreted by the guidance of art critics like Walter Benjamin, Boris Groys, Douglas Crimp, Michael Fried and Jean-François Lyotard. Differences between attitudes of artists that have been using institutional representation techniques at their artworks studied and exemplified. As the thesis exhibition of this study an installation work has been proposed to the Fine Arts Institute.x, 110 leaves, illustrations, 30 cmEnglishinfo:eu-repo/semantics/openAccessDocumentationinstitutional displayauraN3998 .G87 2004Art Documentation.ThesisBILKUTUPB080936