| dc.contributor.advisor | Yayalar, Tolga | |
| dc.contributor.author | Çağlarcan, Deniz | |
| dc.date.accessioned | 2019-08-19T06:11:23Z | |
| dc.date.available | 2019-08-19T06:11:23Z | |
| dc.date.copyright | 2019-08 | |
| dc.date.issued | 2019-08 | |
| dc.date.submitted | 2019-08-07 | |
| dc.identifier.uri | http://hdl.handle.net/11693/52344 | |
| dc.description | Cataloged from PDF version of thesis. | en_US |
| dc.description | Thesis (M.S.): Bilkent University, Department of Music, İhsan Doğramacı Bilkent University, 2019. | en_US |
| dc.description | Includes bibliographical references (leaves 77-79). | en_US |
| dc.description.abstract | During the 1980s and 1990s, English electroacoustic music composer Jonty Harrison
(1952-) composed a series of tape pieces and collected them in an album called
´Evidence mat´erielle in 2000. In this thesis, two pieces, Klang (1982) and Surface
Tension (1996) have been analyzed in order to place them accurately within the
contextual framework drawn by Pierre Schaeffer, R. Murray Schafer, and Simon Emmerson.
To discover the relationship of those concepts to Harrison’s music, the author
investigated Pierre Schaeffer’s Treatise on Musical Objects (1966 edition), R. Murray
Schafer’s The Soundscape: Our Sonic Environment and the Tuning of the World
(1977 edition) and Simon Emmerson’s The Language of Electroacoustic Music (1986
edition). The intention of this work is to explore the musical connections between
syntactic and semantic usage of the sound source on Jonty Harrison’s Klang and
Surface Tension regarding the musical approaches of Pierre Schaeffer and R. Murray
Schafer. | en_US |
| dc.description.statementofresponsibility | by Deniz Çağlarcan | en_US |
| dc.format.extent | x, 79 leaves : illustrations (some color) ; 30 cm. | en_US |
| dc.language.iso | English | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | Jonty Harrison | en_US |
| dc.subject | Klang | en_US |
| dc.subject | Surface Tension | en_US |
| dc.subject | Pierre Schaeffer | en_US |
| dc.subject | R. Murray Schafer | en_US |
| dc.title | Syntactic versus semantic stand: analysis of Jonty Harrison’s Klang and Surface Tension | en_US |
| dc.title.alternative | Jonty Harrison’in eserleri Klang ve Surface Tension’da sözdizimine karşı anlamsal duruş analizi | en_US |
| dc.type | Thesis | en_US |
| dc.department | Department of Music | en_US |
| dc.publisher | Bilkent University | en_US |
| dc.description.degree | M.A. | en_US |
| dc.identifier.itemid | B105354 | |
