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      Self-adaptation and transnationality in Marjane Satrapi's Poulet aux prunes (2011)

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      Author
      Kennedy-Karpat, C.
      Date
      2015
      Source Title
      Adaptation
      Print ISSN
      1755-0645
      Publisher
      Oxford University Press
      Volume
      8
      Issue
      1
      Pages
      68 - 88
      Language
      English
      Type
      Article
      Item Usage Stats
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      Abstract
      Marjane Satrapi's Poulet aux prunes offers an intriguing example of self-adaptation from comics to live-action film. This essay will consider how the Franco-Iranian Satrapi, within her dual role as self-adapter and transnational filmmaker, uses intertextuality and remediation beyond her own source text in ways that pointedly expand the transnational resonance of her film. These narrative and aesthetic strategies also extend to the film's paratextual discourses, namely, the extras available on the French DVD release of the film. The book, film, and DVD paratexts related to Poulet aux prunes thus form the core of this discussion of self-adaptation and transnationality. © The Author 2014.
      Keywords
      Cinema
      Comics
      Marjane Satrapi
      Paratext
      Self-adaptation
      Transnational
      Permalink
      http://hdl.handle.net/11693/22725
      Published Version (Please cite this version)
      http://dx.doi.org/10.1093/adaptation/apu069
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      • Department of Communication and Design 58
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