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      A review of the "ontology" of photography 

      Sevimli, Önder (Bilkent University, 2004)
      This study is the culmination of a speculative attempt to understand and restate the enigma of photography. It aims to supplement the thought of photography with a host of concepts that seem to have escaped the scope of ...
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      Keepsake : meanings, practices and tactics of making and preserving memory 

      Sağdıç, Kalben (Bilkent University, 2010)
      This study is an attempt to conceptualize what a “keepsake” is within the context of subjective and social usage in relation to death and mourning. The phenomenon of memory keeping is examined not only as a subjective ...
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      George Bataille's notion of transgression : the question of a possible experience concerning art and philosophy 

      Şiray, Mehmet (Bilkent University, 2000)
      This study aims at analysing George Bataille's notion of transgression. In this respect, the concepts of Bataille's discourse such as 'general economy', 'sovereign operation', 'inner experience', 'impossible', 'absence ...
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      Composition and the uncanny : a methodological account of composition in visual arts 

      Ertem, Fulya (Bilkent University, 2001)
      This study aims at giving an account of composition in visual arts by basing itself on the notion of uncanny. In that respect the works of three different surrealist artists, Max Ernst, Giorgio De Chirico, and Joan Miro, ...
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      The body unmasked : the uncanny and masked acting 

      Çakmak, Gülru (Bilkent University, 2001)
      The body is not only a natural conglomeration of different internal organs, but it is also the site around/on/through which narratives of subjectivity are constructed and deconstructed. The Freudian unheimlich, translated ...
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      Gilles Deleuze's philosophy of art : the cruelty of affect 

      Eken, Bulent (Bilkent University, 1999)
      In this work the influential contemporary French philosopher Gilles Deleuze' s aesthetic theory has been analysed with regard to its philosophical origins. Baruch Spinoza, whose influence is felt in the whole of Deleuze' ...
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      Thematization of death in philosophy and art 

      Ejder, Özge (Bilkent University, 2000)
      This study takes the theme of death in philosophy and art as its explidt focus, cancentrating mainly of contemporary French philosopher Maurice Blanchot's literary and philosophical texts. The 'aporias' in the discourses ...
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      A singular art : a theoretical and artistic survey on miniature and hybrid possibilities of traditional arts in contemporary art 

      Şener, Seval (Bilkent University, 2007)
      The aim of this study is to point out the problems which are stemmed from the use of traditional arts, particularly miniature, in contemporary art. A theoretical survey on seeing and representation of traditional arts ...
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      Airbrushing and texture 

      Canko, Akın (Bilkent University, 1994)
      By the expianing the airbrushing technique, the texture in airbrushig is shown as examples. In this thesis, it is explained that this techniques can be used by a freehand or by using different materials to create new ...
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      Experimental typography : reviewing the modernist and the current approaches 

      Makal, Eray (Bilkent University, 1993)
      The intention of this study is to evaluate the experimental typography within the history of graphic design by taking in consideration of two epochs. The Modernist and The Current.
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      AuthorAnafarta, Orhan (2)Ejder, Özge (2)Ertem, Fulya (2)Timur, Şebnem (2)Yalım, P. Burcu (2)Özkal, Özlem (2)Akbulut, Dilek (1)Akgülgil, Nadide Gizem (1)Akıncı, Murat (1)Alagöz, Gizem (1)... View MoreKeywordsBody (7)Representation (6)Deconstruction (5)Visual perception. (5)Computer art. (4)Computer graphics. (4)memory (4)Photography (4)Semiotics. (4)Advertising (3)... View MoreDate Issued2010 - 2013 (15)2000 - 2009 (58)1991 - 1999 (38)TypeThesis (111)Has File(s)
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