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      Now showing items 41-50 of 111

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      Masculinities in Yılmaz Güney's star image in the 1960s and 1970s 

      Koçer, Zeynep (Bilkent University, 2012)
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      From space to cyberspace: a review of the current literature on the emerging cyberspace culture and the ways it affects the human identity, experience and interaction 

      Arda, Zeynep (Bilkent University, 2000)
      This work aims at describing the changing conditions for the human subject due to technology and more recently due to the information technology. Exploring the changing perceptions of self in the urban space and ...
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      Spectral images : "Dispossessed family photographs" circulating in antique markets in Turkey 

      Aytemiz, Pelin (Bilkent University, 2005)
      This study is an attempt to make sense of family photographs that are circulating in antique markets in Turkey. The phenomenon of “dispossessed family photographs” is examined on the basis of the critical literature on ...
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      Dogma/Dogme 95 : manifesto for contemporary cinema and realism 

      Yalgın, Emre (Bilkent University, 2003)
      This study investigates Dogma/Dogme’95, which is the latest collectivism seen in the history of cinema. Thesis explores this newest movement’s references to past and today’s filmmaking in relation to the concept of realism, ...
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      The fluid experience of space : physical body in virtual spaces over an analysis of Osmose 

      Varinlioğlu, Güzden (Bilkent University, 2003)
      By the naissance of virtual reality, the body is repressed and transformed into representation in technological virtuality, and the cyberspace has defined as the space experienced by the mind that is separated from the ...
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      Ethics and aesthetics in the philosophy of Alain Badiou 

      Yalım, P. Burcu (Bilkent University, 2005)
      The supposed impossibility of achieving a form of rational agency for action is the prevailing critique against contemporary theories of representaion. Alain Badiou’s philosophy appears to solve this problem by assigning ...
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      F is for film, G is for Greenaway : the cinematic representation in the films of Peter Greenaway 

      Kaya Mutlu, Dilek (Bilkent University, 1999)
      This study aims at investigating the last eight feature films of the British filmmaker, Peter Greenaway, with regard to the cinematic representation. As opposed to the cinematic representation suggested by the principles ...
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      Mapping out socio-cultural transformations through food packaging design in Turkey : a case study 

      Karamullaoğlu, Nazife (Bilkent University, 2005)
      Exploration of the impact of socio-cultural transformations in the development of food packaging design and brand identity in Turkey, in the post-1980 period, is the focus of this research. Accordingly, this thesis ...
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      Rave as carnival 

      Gündüz, Burcu (Bilkent University, 2003)
      In this work I consider contemporary techno-rave parties with regard to their philosophical and cultural origins. Proceeding from Mikhail Bakhtin’s theory of carnival, I analyze contemporary rave scene through its precious ...
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      The role of documentation in contemporary art : issues of institutional practice 

      Gürelli, Kutlu (Bilkent University, 2004)
      In this research study, documentation’s role in contemporary art described and exemplified according to its relation to the institutional practices of classifying, defining and displaying artworks. Issues and problems, ...
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      AuthorAnafarta, Orhan (2)Ejder, Özge (2)Ertem, Fulya (2)Timur, Şebnem (2)Yalım, P. Burcu (2)Özkal, Özlem (2)Akbulut, Dilek (1)Akgülgil, Nadide Gizem (1)Akıncı, Murat (1)Alagöz, Gizem (1)... View MoreKeywordsBody (7)Representation (6)Deconstruction (5)Visual perception. (5)Computer art. (4)Computer graphics. (4)memory (4)Photography (4)Semiotics. (4)Advertising (3)... View MoreDate Issued2010 - 2013 (15)2000 - 2009 (58)1991 - 1999 (38)Has File(s)
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