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The world in-between : cinematography
(Bilkent University, 2000)
And cinema. The importance of saying and... and...and.... Images
neither starts nor ends, they occupy the in-between. Cinema and
philosophy come together to show the power of the in-between.
Images understood as such ...
Composition and the uncanny : a methodological account of composition in visual arts
(Bilkent University, 2001)
This study aims at giving an account of composition in visual arts by basing itself on the
notion of uncanny. In that respect the works of three different surrealist artists, Max Ernst,
Giorgio De Chirico, and Joan Miro, ...
Encountering a site-specific work of art : concerning the relationship between image and memory in the conceptual framework of Walter Benjamin
(Bilkent University, 2003)
This thesis derives from the dual relationship of image
and memory in Walter Benjamin’s texts on literature and
art criticism. This relationship is conveyed to sitespecific
art and analyzed in terms of space and time. ...
Keepsake : meanings, practices and tactics of making and preserving memory
(Bilkent University, 2010)
This study is an attempt to conceptualize what a “keepsake” is within the context of subjective
and social usage in relation to death and mourning. The phenomenon of memory keeping is
examined not only as a subjective ...